Tasavallan Presidentti - Milky Way Moses (1974)

Otro gran álbum de los TP, reseñado por Vicky (y compartido con el blog cabezón gracias a ella). Y ésta banda ha maravillado a varios cabezones, por lo que si bien el siguiente disco es sensiblemente de menor calidad comparándolo con discazos como "Tasavallan Presidentti II" o "Lambertland", no dejan de ser un gran trabajo, y el sonido del video que incluyo no me deja mentir (incluso podrán notar un ciero aire a Jethro Tull).

Artista: Tasavallan Presidentti

Álbum: Milky Way Moses
Año: 1974
Género: Jazz Rock
Duración: 47:17
Nacionalidad: Finlandia

Lista de Temas:
1. Milky Way Moses
2. Caught from the Air
3. Jelly
4. Confusing the Issue
5. How to start a Day
6. Piece of Mind

Alineación:
- Eero Raittinen / vocals
- Pekka Pöyry / saxophone, flute, piano
- Vesa Aaltonen / drums, percussion
- Jukka Tolonen / guitar, electric organ
- Heikki Virtanen / bass

Este fue el último disco antes de que la banda se separe. Esta es otra de las excelentes bandas prácticamente desconocidas, injustamente dejadas de lado, joyitas hunidas en el barro del olvido y que vivimos rescatando en el blog cabezón.
Pedazo de banda les trajimos.
Pero los dejo con el comentario de Vicky, que es lo que vale.

Bueno, ya muy lejos estamos de los dos primeros trabajos de Tasavallan Presidentti. Hubo un nueeeevo cambio en la formación: Måns Groundstroem dejó la banda para pasar a ser el bajista de Wigwam, reemplazándolo Heikki Virtanen. Creo que a esta altura no son una novedad las idas y vueltas que hay entre Tasavallan Presidentti y Wigwam. Recordemos que entre los músicos que colaboraron con Wigwam se los puede mencionar a Jukka Tolonen, Pekka Pöyry y Juhani Aaltonen. Por otra parte, ya en la reseña de Lambertland habíamos comentado que Mats Huldén, quien fue el bajista de Wigwam entre 1968 y 1970 (y que es el actual desde el 2004), fue quien escribió las letras del disco. En este cuarto álbum, nos encontramos con que el cantante de Wigwam, Jim Pembroke, fue el encargado de la lírica.
En fin, estamos frente a otro gran disco de jazz rock/fusion. Esta vez, a diferencia del disco anterior que fue compuesto prácticamente por Jukka, gran parte del material viene de las manos de Pekka. El álbum abre con “Milky Way Moses”, una de las dos canciones escritas por Jukka, junto con “Confussing The Issue”. Por momentos me hace acordar un poquiiiito a Caravan. También la guitarra rítmica, más que nada, del comienzo de “Milky Way Moses” me recuerda a la de “Plastic Fantastic Lover”, de Jefferson Airplane. “Caught in the Air” es del saxofonista Eero Koivistoinen. Esta canción de Eero fue publicada en el disco Valtakunka (1968), originalmente titulada “Lennosta Kii”. “Jelly” es un fantástico instrumental, y aprovecho para decir que me parece muy destacable el agregado funk que le da el bajo de Heikki (adoro sus líneas de bajo!). Recuerdo que la primera vez que lo escuché, la banda me volvió a sorprender! Si bien seguían dentro del mismo estilo, el sonido cambió bastante. Tal vez se deba en parte al hecho de que, al irse Måns, Jukka y Pekka tuvieron que encargarse de los teclados… Y a eso hay que sumarle el toque funky de Heikki. En conclusión, lo recontra recomiendo!!!
La verdad es que no estoy muy segura de porqué la banda terminó. Aparentemente, la relación entre los miembros ya no era muy buena, por lo que finalmente en 1975 se disolvió el grupo, dejándonos estos cuatro increíbles discos!! (Sin contar el álbum que hicieron con Pekka Streng y Six Complete (2006))

Vicky

Y vamnos, como siempre, con algunos comentarios en inglés que aderezan la entrada.

Ever ponder on some mysterious album that somehow, for no apparent reason, becomes a mythical icon and you don't even know why? That is how I feel by Tasavallan Presidentti's Milky Way Moses, an LP I bought back in 1974 or so, initially enamored by the lovely cover art of bright green and sharp yellow trees and finally enthralled by the cool jazzy prog within the grooves. I finally nailed a CD copy and was immediately plunged into a drenching pool of self-inflicted nostalgia that has me beaming. This album remains my favorite Finish prog recording (though the recent Moonwagon albums come awfully close). Jukka Tolonen needs no introduction, a legendary guitarist closely associated in my mind with vintage Jan Akkerman, where robust jazzy chords and slick leads conspire to woo the casual listener and convert them permanently. Together with bassist Heikki Virtanen, sax/flute master Pekka Pöyry and drum king Vesa Aaltonen, Tolonen provides a shimmering glide for singer Eero Raittinen to show off his vocal skills. A nice mix of short and long tracks makes for a delightful menu.
There is little pussyfooting here as title track takes off from the get-go, a flick of the wrist envelops the axe strings with confident technique allied with intense feeling and you just know this will be fun. Breezy, airy jazz- rock, a cool urban vibe where blaring saxophones, tingling piano and that dogged riff keep it all hanging tight. Eero vocalizes nicely in a semi-trembling yelp that is actually quite striking. The stage is set for some soloing, well anchored by the rhythm tandem. Jukka then takes the spotlight and delivers a wah-wah duet with Pekka's squeaky sax, a true masterpiece moment where both maul each other with clever mini blasts, a delirious little musical game. Another vocal refrain which veers into a heavier raging funk and the deed is done. Excellent!
The stunning 11 minute+ epic "Caught from the Air" is another highlight moment, a thrilling musical escapade that swerves in a myriad of directions. Feline guitar and fluttering piano combine to create a jazz tornado that ultimately permits Pekka to go bananas on his sax, in a very overt Didier Malherbe style. Midway through, the groove goes from very relaxed, almost like instrumental Stealy Dan, to more hysterical, notes blasted at a furious pace and decidedly jazz where screeching organ, pounding piano, irate sax and mad guitar rule the waves. The vocals return to that familiar exuberance and the whole just glides along with zest to an effortless finale.
On "Jelly", Virtanen and Aaltonen propel the jiggly jello-jazz with syncopated mayhem, a delightful turbo- powered lightning bolt that knows no respite just finality. Disjointed yet controlled, the manic 3 minute + piece shows off the talents of all involved. The Focus parallel is evident in both the guitar and the turbulent drumming.
A true 70s vibe appears on "Confusing the Issue" which incorporates some odd stylistics, a Planet Gong cabaret meets Frank Zappa feel, with Eero doing odd things with his voice ("Cucumber Stew"?), not unlike the zealous Canterbury lads. Tolonen rips off an acid-drenched solo, making anyone within earshot to giggle nervously.
The longest sucker is the nearly 14 minute "How to Start a Day", a weird introduction that has some Gong meets the Legendary Pink Dots facets, which then prompts bassist Virtanen to shovel along a clearly defined but relentless groove, flute spiraling above the fray. The subsequent massive jam explosion just creams the jeans! Tight and sublimely crazy! Eero even dares to pull off a cheeky Jim Morrison imitation that will make anyone smile. Hilarious! Fill in that damn sax blare and people will glare. Tubular bells arrive just in time to save the gong, literally!
"Piece of Mind" is led again by that thrilling bass in that classic Howlett/Rowe style, a loopy construction that keeps the imagery flowing. Short sweet and effective.
Like I stated earlier, not the best jazz-rock album, nor is it Tasavallan Presidentti's best but there is something about the pervasive comfort of nostalgia that needs not to be explained and just is. Yes, it sounds dated and perhaps not very relevant but I like it. Always have and forever will. Sax is everything!
4 Starlit prophets

Thomas Szirmay

This Finnish prog/fusion/jazz band can make complex and loaded patterns here! Indeed there are some bits where the drums and bass combination can easily be compared to the peak moments of Frank ZAPPA and BRAND X. The music itself sounds a bit like Canterbury bands (CARAVAN), at least the keyboards and guitars. Only 3 weak points: the guitar sound is very gross and bland, despite the guy gives elaborated wah wah effects; the lead vocals are very ordinary; the compositions, apart the outstanding technical performance, does not seem to retain the attention. There are many saxes and flute parts which give a jazzy tendency to the ensemble. The bass is never timid, it is the main attraction here: it is some sort of mini GRAND FUNK or Il VOLO bass.

greenback

The last 1970's studio album done by the fabulous Finnish jazz rock band offers a bit more psychedelic and culminated grooves than their three previous albums. The peaceful pastoral elements of their personally most favored album "Lambertland" have dissolved, and I can understand why some fans of this band do not appreciate this record. There has been a two year's gap between their previous studio album, and the bassist player has been changed. Heikki Virtanen (Jukka Tolonen's cousin I recall?) has replaced Måns, and Tolonen and Pöyry also do some keyboard playing. Possibly these changes of personnel and time has affected the music, pushing it towards more spontaneous jazz solutions and acceptance of striking harmonies. The opening title track "Milky Way Moses" has catchy grooves and good melodic passages, representing the most accessible side of this record. The following track runs over ten minutes, "Caught from The Air" has hypnotic, pulsing tones, and some wah-wah treaded bass lines creating powerful psychedelic feelings. If one is interested of this stuff, I would recommend hunting down the 4CD box "Anna Mulle Lovee", which has some archive material of different Finnish bands. There's a cool live version of this song titled "Lennosta Kii!", revealing original Finnish lyrics of this Eero Koivistoinen composition. That song was originally on Mr. Koivistoinen's "Valtakunta" album from year 1968, on which I think Eero Raittinen was also featured as a singer. In addition of the two shorter tracks I would mention song "Confusing the Issue", which resembles the title track by its acoustic rhythm guitars, saxes and bold singing of Mr. Raittinen. His voice does not feel as pleasant as Frank Robson's tone to my ears, but he's a good singer though and knows "How to start a Day" after paranormal nights.

Eetu Pellonpää

Last album from this second-most successful Finnish prog band after Wigwam, Milky Way Moses is more or less well in the line of its predecessors, but like everyone of them , has its own characteristics. Indeed, a further line-up change sees original bassist & organist Groundstroem leave (for crosstown buddies Wigwam) and be replaced by Heikki Virtanen, and leaving guitarist Tolonen and saxman Poyry to play keyboards. Graced with a bucolic forest artwork, MWM is a rockier and much more straightforward album than its predecessor. Surprisingly enough, Tolonen doesn't control the songwriting as much (Poyry does) and the lyrics were delegated to their crosstown rivals Wigwam's singer Jim Pembroke.
Opening on the up-beat title track, the musical mood is a hard-rocking one, where Raittinen's vocals are much more at ease (read don't shock or raise eyebrows) than on the previous Lambertland album. The following Caught In The Air track is penned by jazzman Koivistonnen (who released a few good JR/F albums during that era), and it is the MWM track that is most reminiscent of the LL album, because jazzier, but a tad repetitive. The album-shortest collectively-penned Jelly is a 100 MPH hard-jazz-rock track that will knock your socks off, despite being complex.
The flipside opens on the little-more-than-average rockier Confusing The Issue, but follows with the slow-starting electric piano driven almost 14-mins How To Start A Day, which slowly crescendos, but forgets to go places. As for the closing mid-paced Piece Of Mind, it opens on guitar arpeggios and a pedestrian bass, it's not exactly going out with a "bang".
I'm not exactly on how or why the band stopped, but the present ended up being their last, but guitarist Jukka Tolonen would carry on with his solo career (started during the TP tenure) Not nearly as successful as its predecessor, MWM might have a better chance to please the rockier progheads, but IMHO, I even prefer their still clumsy debut to this largely less-inspired but still worthy album.

Sean Trane

In 1973 hardly anyone would guess that TP would be history within one year (for two decades). The previous year saw the departure of the original bassist Måns Groundstroem and the arrival of Heikki Virtanen, who happened to be Jukka Tolonen's cousin. The band continued as an internationally respected live act. The fourth album was recorded in London, August-September 1973, and produced by the established Peter Eden. This time the lyrics came from the pen of Jim Pembroke (WIGWAM), and the reeds player Pekka Pöyry - a notable figure in the Finnish jazz scene - stepped more into the light as a composer alongside Jukka Tolonen.
The 8-minute title track is instrumentally oriented, typical slice of TP's jazz-rock, more ballsy than focused or melodic. It seems Eero Raittinen as a vocalist is not at his best on this album. 'Caught in the Air' originates from EERO KOIVISTOINEN's groundbreaking avant/proto-prog album Valtakunta (1968), in which the fancy lyrics of the poet Jarkko Laine were sung by Eero Raittinen. The track is stretched up to 11:37 with wandering instrumental sections; I'd say there's not enough proggy innovations to justify the length of this version that clearly loses to the fantastic, psychedelically coloured original.
'Jelly' is an instrumental group effort, not much more than a jam. Pöyry's two compositions are placed in the end. 'How to Start a Day' is quite interesting especially for the paranoid vocals that approach whispering and muttering. But again, 13:47 is way too long for the thin musical contents. The most economic song 'Piece of Mind' is rather calm; nice, but unspectacular. The album came out in April 1974 when the spark had begun to die out. Tasavallan Presidentti collapsed after the summer's tours, and JUKKA TOLONEN continued his solo career with excellent Fusion albums.

Matti

This was my first album from Tasavallan Presidentti. I have all of their releases now, but this is still my favorite. It is a classic! I love it. It has such a great jazzy, prog feel to it, especially the longer songs. I love the groove that permeates "Caught From the Air" and "How to Start a Day." Wonderful instrumental work from everybody, although the vocals my take some getting used to. If you like Wigwam or Pekka Pohjola, then this is an essential one to get.

yesstiles

Espero que disfruten el disco como se merece, y ojo, éste será el último disco de la banda antes de separarse pero tendremos más Tasavallan Presidentti para nuestra familia cabezona!!! así que estén atentos.