Búsqueda cabezona

miércoles, 2 de marzo de 2016

Tasavallan Presidentti - Tasavallan Presidentti (1969)

Empezamos el día con un disco reseñado por Vicky, de una banda finlandesa que yo desconocía y que nuestra querida cabezona nos presenta. Con ustedes, el disco homónimo de estos finlandeses que darán que hablar...

Artista: Tasavallan Presidentti
Álbum: Tasavallan Presidentti
Año: 1969
Género: Jazz Rock
Duración: 44:59
Nacionalidad: Finlandia

Lista de Temas:
1. a. Introduction
1. b. You'll Be Back For More
2. Obsolete Machine
3. Who's Free
4. I Love You Teddy Bear
5. Crazy Thing Nr 1
6. Drinking
7. Crazy Thing Nr 2
8. Driving Through
9. Ancient Mariner
10. Wutu-Banale
11. Woman Of The World
12. Roll Over Yourself
13. Thinking Back

- Jukka Tolonen / guitar, piano
- Juhani Aaltonen / saxophone, flute
- Frank Robson / vocal, piano, organ
- Måns Groundstroem / bass, organ
- Vesa Aaltonen / drums

Tasavallan Presidentti fue una banda que sacó cuatro discos extraordinarios desde 1969 hasta 1974, figurando como atracción indiscutible el gran guitarrista Jukka Tolonen, quien tambien toco ocasionalmente como guitarrista invitado con Wigwam, incluso recuerden que tenemos un disco de éstos últimos publicado en el blog, gracias al Mago Alberto.
La banda pertenece a toda una vertiente del rock progresivo emparentado con el jazz-rock de aquellas tierras. Pero mejor que nos cuente Vicky que fue la responsable de todo ésto.

Fue una banda finlandesa formada a fines de los años 60’, originalmente integrada por el brillante Jukka Tolonen (guitarra, piano), los hermanos Vesa (batería) y Juhani Aaltonen (saxo, flauta), Frank Robson (voces, piano, órgano) y Måns Groundstroem (bajo, órgano). Es considerado uno de los grupos más importantes dentro del rock progresivo finlandés, después de Wigwam. Su primer disco, Tasavallan Presidentti, lo publicaron en 1969.
El disco es una exquisitez, con condimentos de distintos géneros musicales. El álbum abre con “Introduction/You’ll Be Back For More”, comenzando con una introducción clásica seguido por un riff bien progresivo. También hay riffs interesantes en canciones como “Obsolete Machine”, “Who’s Free”, “Driving Through”, “Drinking” o “Woman Of The World”, las cuales tiran un poco más para el lado del hard rock y del blues. Si bien quizás puede que uno al escucharlos recuerde por momentos a bandas como Procol Harum, Traffic o Jethro Tull, eso no quita que Tasavallan Presidentti no tenga su propia impronta: yo me encontré con un montón de sorpresas! (Además, hay que considerar que este es el álbum debut, todavía tenían mucho para darnos). Por la dirección en la que venía encaminado el disco, tal vez resulte un poco sorpresiva la balada “I Love You Teddy Bear”. “Crazy Thing No.1” y “Crazy Thing No.2” son pequeños cortes, una combinación que incluye un poco de rock, jazz y música clásica. En “Ancient Mariner” se crea una atmósfera muy experimental. Allí se lo escucha a Frank Robson recitando un poema, acompañado por una fantástica instrumentación. Una continuación mejor no podría ser “Wutu-Banale”, una canción más bien jazzera donde se destacan las deliciosas frases de guitarra y de saxo de Jukka Tolonen y Juhani Aaltonen respectivamente. También nos encontramos con un buen rock n’ roll en “Roll Over Yourself” (como supongo que lo sugiere el nombre de la canción). “Thinking Back”, una pieza para piano compuesta por Jukka y tocada sobre el canto de unos pájaros, es un excelente cierre para este excelente disco. Personalmente, para mí no tiene desperdicio!

Y éste es el primer disco de la banda pero no vamos a terminar aquí, ya que Vicky se suma a la escuelita de rock del Mago Alberto y se mete con el tema Finlandia, y ya que estamos en ella, después de publicar los discos de ésta banda, tengo algunas excelentes propuestas que les traeré de aquellos lejanos parajes. ¿Aloguien me ayuda con el comentario de Höyry-Kone? tremenda banda finlandesa!
Y vamos con algunos cometarios en inglés sobre este primer disco de los Tasavallan Presidentti!

I would like to start my first review with this album. And what i'd like to say is that this is the best finnish rock album ever! I really can't find anything negative about the sweet 54 minutes and 50 seconds this album can offer to us. This also (As many of us already know) one of the first rock albums recorded in Finland. I think that only Blues Section recorded before Tasavallan presidentti, being also released around the same time as Hard 'n' Horny by another finnish rock band Wigwam.
Album starts with an Introduction. A simple song, about 50 seconds long featuring Flute, acoustic guitar and organ. The song quickly melds to the first "Real song" You'll be back for more. Excellent song with a killer riff that is simple yet flashy and stylish at the same time. Obsolete Machine is heavily blues influenced track with nice fluting by Juhani Aaltonen. Whos' free has some really stong singin by Frank Robson. Next tune is one of the high points of the album and one of the greatest songs by Tasavallan Presidentti called I Love you Teddy Bear. Really emotional Ballad with a beatiful flute intro. Crazy Thing NR1 is really worthy the name! Strange little song indeed... Drinking is ano of the highlights also. Story about a guy who would like to "Walk naked in to that bar and kick the doorman in the face". Crazy Thing NR2 is pretty much in the same as the NR1. Drivin' through starts with groovy bass riff and is all together, really good upbeat song (Not in a "Happy" upbeat way!). Ancient Mariner is an inch progier piece than the previous songs. Surreal instrumentation and "story telling" manner speak instead of singing. But then it comes! Wutu Banale! One of the four absolutely golden masterpieces on this LP along with You'll be Back for more, I Love you Teddy Bear and Drinking. Very special and atomospheric instrumental composed by the bassisti Måsse Groundeström. Woman of the world is good but nothing too special. Roll over yourself is a true Rock n roll song with great piano bashing. Last song is Thinking back, very, very beatiful piano song with birdsa singin in the background, composed by the band guitarist Jukka Tolonen.
One thing about the album is the members. Jukka Tolonen (Guitar) was 17, Vesa Aaltonen (Drummer) 19, Måsse Groundeström (Bass) 20, Frank Robson (Lyrics and keyboards) 23 and Juhani Aaltonen (Flute and Sax) 34! Such wonderful music by such young artists (Well except Juhani Aaltonen of course!)
All together Tasavallan Presidentti is "Quarter to perfect" LP by the the best finnish rock band ever.
PS: Since this is my first review, i wanted it to be long. Don't be scared, i won't review every song on my forthcoming reviews!
Henri Salmela

TP is Finland's second-most important group of the 70's after Wigwam (both had English mother-tongued singers), but it was born out of the ashes of a previous band called Blues Section, when US singing-pianist Robson (whose voice can be reminiscent of Stevie Winwood) and bassist Goundstroem teamed up with brilliant guitarist Jukka Tolonen and the Aaltonen brothers (drums and winds). The debut album is strange and unfocused affair, where the blues crosses progressive rock, but there is also plenty of other musical references, from jazz to classical tidbits. Released in 69 on the inevitable (for Finland) Love Record label, the album sports a misleading Greek-mythical musician artwork on its sleeve, one that doesn't relater well to the music inside it.
The opening Robson-penned Back For More is a fairly good example of the mix of the album with a blues-derived voice and vocals over a prog riff, the whole thing not being that far from early Traffic, not only due to Robson's voice, but also Aaltonen's sax and flutes. The following Obsolete Machine and Who's Free are also like a bluesier and harder Traffic, but they lack the refinement of their inspiration. But the album takes a sudden dip with a crooner version (read involuntary pastiche) of Procol's Whiter Shade Of Pale with the near-atrocious Teddy Bear. The book-ending and amateurish-clumsy classical tidbits Crazy Things surround the prog-bluesy Drinking, where Aaltonen's flute and Tolonen's guitar solos take the spotlight.
Over the flipside, the hard-driving bluesy Driving Through track features some solid musical interplay, but it's not like we're in groundbreaking mood or anything. This could find space on a John Mayall's Bluesbreaker album, and this without the slightest disrespect. The album suffers another dramatic turn of ambiance with the cheesy narration over dissonant musical improvs during Ancient Mariner (check out David Bedford's version instead, but it came out much later), than another shift with the superb but heard-elsewhere (let you guess where, it won't be hard) Wutu-Banale, even if Steely Dan will sound a lot like this later. Woman Of The World is a hard-driving blues-rocker, where Robson sounds more like Gary Brooker than Winwood, but another untimely(and ill-advised) mood changes occurs with the rock-n-rolly Roll Over Yourself definitely ruins the album's cohesiveness. The closing Thinking Back is a fairly-dramatic (if a tad cheesy) piano-piece, oddly written by guitarist Tolonen, but played by him over bird noises.
Two non-album bonus tracks are included, most likely from a single released around the time (no details given), which are more or less in line with the album's overall mood and sound, especially the nice Solitary (again déjà-entendu), while the jazzy Traffic-like Deep thinker gives an enjoyable final touch to the CD reissue. A rather enjoyable but clumsy debut affort, it's a little unfortunate that most of the tracks on the album have a déjà-entendu or heard-elsewhere, but they are all attributed to the TP members. Certainly if they had not been Finnish and little heard-of, there might have been a few lawsuits thrown in. To be honest, it is limit-scandalous they got away with it. But this shouldn't take away the charm of this uneven and unfocused debut album that should spin once in a while in your deck.
Sean Trane

I liked this album very much! The voice of FRANK ROBSON is more pleasing to my ear than EERO RAITTINEN's, who replaced him on the forthcoming "Lamberland" album. I would like to add BLOOD, SWEAT & TEARS to the batch of bands, which were mentioned as the influences of these guys. Pressa's ballad "I Love You Teddy Bear" sounds a bit like "Sometimes in Witer", and Frank has a similar voice as DAVID CLAYTON-THOMAS. Along that song, my favorite tracks are "Obsolete Machine" (bluesy rocker), "Drinking" ("I want to go naked in the pub, and hit the doorman in the face" !), "Driving Through" (another bluesy rock song a lá CREAM) and "Thinking Back", which is a beautiful piano tune by JUKKA TOLONEN, with birds singing over it in the vein of early PINK FLOYD tunes. The bonus track "Deep Thinker" is also an excellent song! It was on their single with the another bonus track, but it was also on their second album which was a really rare collectors item for a long time.
Eetu Pellonpää

Espero que lo disfruten, acá va el primer disco pero ahora vienen más! esperen un poquito...

2 comentarios:

  1. Download: (Flac + CUE - No Log + Scans)

  2. gracias vicky y Moe por acercarme a esta banda, los nórdicos tienen mucha música de excelente calidad, una lástima que no estuvo bien difundida


Lo más visitado en el mes


Este espacio se reserva el derecho de publicar sobre cualquier tema que parezca interesante a su staff, no solamente referidos a la cuestión musical sino también a lo político y social.
Si no estás de acuerdo con lo expresado podrás dejar tu comentario siempre que no sea ofensivo, discriminador o violento...

Y no te confundas, no nos interesa la piratería, lo nuestro es simplemente desobediencia civil y resistencia cultural a favor del libre acceso al conocimiento (nuestra música es, entre otras tantas cosas, conocimiento).


Este espacio se reserva el derecho de publicar sobre cualquier tema que parezca interesante a su staff, no solamente referidos a la cuestión musical sino también a lo político y social.
Si no estás de acuerdo con lo expresado podrás dejar tu comentario siempre que no sea ofensivo, discriminador o violento...

Y no te confundas, no nos interesa la piratería, lo nuestro es simplemente desobediencia civil y resistencia cultural a favor del libre acceso al conocimiento (nuestra música es, entre otras tantas cosas, conocimiento).