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Anekdoten - Waking The Dead, Live In Japan (2005)


Otro disco en vivo de los Anekdoten en Japón, con muchas canciones superan las versiones de estudio, utilizando tres mellotrones para romperles el marote a los nipones valientes que fueron a verlos. Tienen que escuchar este disco, 11 canciones, 2 inéditas, una de "Vemod", 4 de "From Within" y "Gravity", 5 de "Nucleus" y 4 de "Gravity", para todo un festín de la mejor música escandinava conquistando suelo japonés. Un disco absolutamente increíble que muestra de que eran capaces estos suecos arriba del esenario. Aquí, revivimos un registro escencial dentro del blog cabezón. Prepárense que los Anekdoten los van a conmover, estremecer, enternecer, y de paso les va a volar el peluquín. Por estas cosas es que amo a esta banda...

Artista: Anekdoten
Álbum: Waking The Dead, Live In Japan
Año: 2005
Género: Rock progresivo
Duración: 78:49
Nacionalidad: Suecia


Ya no hay nada más que pueda comentarles de esta fabulosa banda, salvo que aprovencen este festival cabezón anekdokiano. El disco es tremendo, imperdible, maravilloso. Directamente uno de los mejores discos en vivo que uno puede escuchar, encima conteniendo un par de temas no realizados previamente.


ANEKDOTEN nos ofrecen este año una grabacion en directo correspondiente a los conciertos ofrecidos entre el 25 y 26 de Febrero de este año en Tokyo. Se trata de "Waking The Dead, Live In Japan" que ha sido unicamente editado en Japon por la discografica Arcangelo.
Basicamente el disco se compone de temas de dos de sus discos "Gravity" y "From Whiting", pero lo mas llamativo es que contiene 2 temas ineditos (6) "Moons Of Mars" y (10) "This Too Will Pass". Otro punto llamativo es el magnifico sonido made in japan del que podemos disfrutar.
Lo mejor del disco, en mi opinion son los temas (2) "From Within", ritmica y melancolica como ella sola... y que decir de la aun mas sentimental y mellotronica (4) "Hole" y por no olvidar de (11) "Sad Rain"... tema que cierra tambien su VEMOD (1993) como "extra track", un autentico empacho de mellotron.
En definitiva una magnifica oportunidad de deleitarse con un magnifico registro sonoro en directo de ANEKDOTEN y ese sonido caotico y oscuro que caracteriza al progresivo escandinavo, una original forma de herencia del sonido King Crimsoniano epoca RED.
Ademas de degustar de dos temas ineditos porcierto muy buenos, en especial "Moons Of Mars"
Juan


Les dejo un temita del disco, pero les podría dejar cualquiera, todos son increíbles.






Empiezan el disco con "Monolith" la canción de apertura en "Gravity", que es el álbum que estaban apoyando en ese momento con esta gira en particular. Mucho poder para empezar y una guitarra prominente. "From Within" se abre con mucha tensión, las voces llegan con el bajo a todo poder y un cello metiendo climas y batería implacables mientras el mellotron se se descontrola y se convierte en una tormenta. El ritmo hipnotizante sigue y sigue hasta que se produce un cambio, las voces regresan a los 7 minutos para ir cerrando la canción. "Kiss Of Life" se abre poderosamente con el mellotron cuando las voces entran antes del minuto. ¡Esto suena tan increíble! "Hole" abre con mellotron conmovedor en una belleza poderosa y oscura. "SW4" es la única pista sin mellotron. Tiene este sonido fresco, maravilloso. El chelo es notorio, creando la calma que antecede a la tormenta. Una de las pistas inéditas "Moons Of Mars" son simplemente tres mellotrons y un chelo que crean olas masivas durante dos minutos y medio y se funden en la siguiente canción "The Sun Absolute". "Ricochet" es uno de los temas favorito de todos los tiempos, tan emotivo que realmente hay que escucharlo para creerlo y sentirlo. "Gravity" tiene mucho ambiente y me encantan las voces antes de que se ponga en marcha a todo vapor, luego obtenemos una sección instrumental extendida que se desarrolla en un final poderoso. "This Too Will Pass" es relajado y absolutamente magnífico, muy conmovedor, y se pone en marcha como un tren a vapor a los 5 1/2 minutos, esto debería estar en uno de sus álbumes de estudio!. "Sad Rain" de "Vemod" termina este disco con estilo y un chelo prominente. 79 minutos de pura felicidad embriagadora!


Y claro, este es un disco raro así que no hay muchos comentarios, al menos en castellano, acá van varios en inglés.


This live CD should cement Anekdoten's status as the indisputable best band inspired by the classic "Red" Crimson sound. The performances on this disk recorded before what sounds like a smallish but very enthusiastic audience are, in a word, thunderous, even more dynamic than their studio counterparts. The rhythm section really cuts through, and the bass sound is monolithic. And of course, there are great slabs of mellotron to be heard here. The band also acquits themselves very well as tuneful vocalists. Anekdoten gives a nice overview of their career, and I'm glad they included many songs from the occasionally- maligned Gravity, their best studio album IMO and one of my favourite prog albums. The two new pieces, "Moons of Mars" and "This Too Will Pass" are moody instrumental burners in keeping with the band's later, more spacy work, and well worth the price of the CD alone. All Anekdoten admirers should pick this up ASAP, and even though you may have to look for it, I'd recommend this album as the perfect introduction to this quintessential dark prog band for those who want to try it out. You won't regret it.
Allister Thompson

The songs of this concert are drawn from the Anekdoten's third and fourth studio albums, which are my ultimate favorites from their discography at the time of writing. Also as the technical quality of this release is fine, and I was able to attend a concert of this same tour in Finland, so it shouldn't be a surprise that I'm really fond of this live record, which I found as vinyl copy with two LP's and a nice gatefold sleeves.
The A-side of the album starts up with the dynamic openers of their studio albums, "Monolith" and "From Within" and ending up to "Kiss of Life". Though these dramatic numbers are similar in arrangements as their studio versions, the Mellotron melodies vary creating new harmonies, and the long improvisational passage of "From Within" is interesting to listen. The B-side of the first album has then more darker moods in it, over eleven minutes long "Hole" and "SW4". The first one mentioned builds up from a very dramatic Mellotron intro (saw at Helsinki during this number slow moshing with half-minute hair sweep rates), a beautiful melodic part and a long lingering instrumental sequence leading back to the start mayhem. This is one of my most favorite tracks of the band (along with the final song of this album), suiting as a fine soundtrack for a depression disorder lifestyle. The second number has more worrying feeling in it, having some vocals from Anna-Sofi too.
The second vinyl opens with solemn Mellotron chords painting up improvisational pictures of "Moons of Mars", this vision morphing as instrumental "The Sun Absolute", which gave me associations of tension building sequences from some Dario Argento movies. Then we go back to their fourth album's material, "Ricochet" being another wonderful track full with passion and hope, featuring the nice way of building up moods with contrasting powerful parts with more quiet moments. "Gravity" relies also on very sad and strong melodies, lasting nearly ten minutes in running time. The final side of the album has the most interesting stuff, "This Too Will Pass" which is not released on any studio album, and it is an instrumental tune, sounding quite thoughtfully composed and being very beautiful too. The last number here (and also in Helsinki concert) is "Sad Rain", a really passionate and beautiful number, one of their best ones I think. It was originally written and recorded during the early days of the band, and it was released on the Japanese version of their first studio album "Vemod". I always wondered why it wasn't in broader distribution, as it's just so great composition (though I think it is available as mp3 from their official homepage). Luckily it was included to the repertoire of this tour, and is here available for the audiences.
I liked this later Japanese live recording more than their 1990's double-CD, mostly due in my opinion better songs and more experienced and firmer playing. When I attended a concert of this tour, I had few of my friends with me who are not very familiar with progressive rock, but they liked the show so much that they bought some of the band's albums after the concert. As the avant-garde destruction elements of the band changed to more dramatic and passionate mood buildings with interesting arrangements and space for free playing after the "Morte Macabre" record, which was half-Anekdoten and half-Landberk project, their music should appeal for both fans of prog and the larger audiences of more easier music too. At least here in Finland people are really minor key music fans. If you liked the albums "From Within" and "Gravity", this is a real must in my opinion.
Eetu Pellonpää

MELLOTRON LOVERS, ON YOUR MARKS!
My two favourite albums from the band equally share four songs on this live album. I can't be more happy with this.
The sound is excellent throughout this record and the whole power of this live set is perfectly rendered. The dramatic and melancholic side of their music is greatly expressed during such brilliant songs as "From Within" and "Monolith".
What has fascinated me with this band (but only after their first two albums) is the extraordinary mellotron work. This is truly remarkable and should appeal all the lovers (to which I fully belong) Of these great sounds. While they are more expected in the symphonic genre, their use here in some harder type of music should just blow you away. Great music, indeed!
But there are absolutely no bad track available here even if "SW4" is probably the weakest of the whole. Powerful music, melodic music, fabulous music ("Kiss Of Life"). And what to say about the fantastic "Hole". Dark, spacey, symphonic. Isn't this the true meaning of eclectic?
There are two unreleased songs available of which "Moons Of Mars". Just listen to the cold mellotron harmonies featured. Just shivering, my prog friends. A jewel of a symphonic piece of art. Brilliant. They could have extended it for (almost) ever. Fascinating, really. Like the gloomy "The Sun Absolute".
To name the highlights would almost signify to name almost each track here. But "Ricochet" definitely belongs to my fave. The melody again is not forgotten and gorgeous mellotron lines add such a grandeur to this great number.
The closing number and only survivor of their early days is fully ITCOTCK oriented. Pure symphony. Do I need to mention anything about the mellotron? No? OK! But by now, I guess that you know what I mean.
This is an excellent start to discover two of their albums. The band is not really prolific (only five studio albums in forteen years) but they are very strong on stage and this "Waking The Dead" could well be one of the best live album from the last ten years.
Daniel ZowieZiggy

A few months ago I witnessed an Anekdoten gig in Uden (The Netherelands), I was standing in front of the edge of the stage on the left in order to have a perfect look on Anna Sofi Dahlberg playing the Mellotron, what a captivating contrast: her tiny fingers, creating a massive Mellotron sound! In my opinion she often surpasses the best Mellotron-drenched King Crimson moments, what a mindblowing visual and musical experience, goose bumps all the time! That was my second Anekdoten concert, a few years ago I was lucky to see Anekdoten for the first time in my life during their Gravity tour in 2004, this live CD is the Japanese part of that tour.
It's incredible how this Swedish formation turned from a King Crimson cover band into a band with an unique progrock sound, loaded with emotion, tension (between mellow and heavy parts) and dynamics (especially the adventurous rhythm section is an essential part at this point). On Waking The Dead, Live In Japan 2005 you can experience that unique Anekdoten sound in its full splendor: the one moment it sounds heavy and agressive with a thunderous rhythm-section, propulsive guitar riffs and tidal waves of violin-Mellotron (like in Monolith, From Within and Kiss Of Life) or hypnotizing with twanging electric guitar and soaring female-choir-Mellotron (during Hole, the previously unreleased track Moons Of Mars and The Sun Absolute), the other moment you can enjoy slow rhythms with a very compelling atmosphere featuring a melancholical undertone, often embellished with a lush violin-Mellotron sound (Gravity and the previsously unreleased track This Too Will Pass). The final composition Sad Rain (additonal bonustrack on the remastered CD version of their debut album Vemod) is MELLOTRON HEAVEN, strongly evoking King Crimson their most legendary composition The Court Of The Crimson King during the violin-Mellotron- drenched eruptions, goose bumps again! A great end of an exciting, often very compelling concert that can compete with that other awesome live album Official Bootleg Live In Japan.
NOT TO BE MISSED BY ANY SERIOUS TRON-MANIAC!!
Erik Neuteboom

Waking The Dead is the second Anekdoten live album. It shows a further growth of their known live competence; especially the vocals have become much stronger since the previous live album. Again there is a mix of known songs from recent albums and a number of gems that are not or hard to find outside this release.
The familiar material is performed truthful to the originals but it benefits from the live adrenaline bonus. The band plays tightly and depending on the occasion either subtle or powerful. The album production is a bit below studio standards but competent enough. The performances are at least as good. Niclas vocals on Kiss of Life are still grating but less so then on the From Within original. Hole is as mesmerizing as it's always been.
The first track unique to this concert is the short mellotron gathering Moons of Mars. It reverts to the fascinating cinematic atmospheres of the Morte Macabre project and serves as an intro into one of my favorite instrumental moments from Anekdoten, The Sun Absolute. The second previously unreleased track is This Too Will Pass, a delightful instrumental that investigates the pensive moods of post-rock. The album ends with Sad Rain, an early Anekdoten piece that doesn't appear on the regular album releases and that you shouldn't miss here if you don't have it yet.
I'm not too fond of the live album format but Waking the Dead has got the goods. The performances are excellent and, Sad Rain included, there are 3 rare tracks that are hard or not to be found anywhere else, essential enough to turn this into a 4 star live album for me.
Karl Bonnek

The seventies were not only a golden era for progressive rock but also for live albums with many bands equalling, or even surpassing studio versions of songs on classics such as Made In Japan (Deep Purple), Yessongs (Yes) and All The World's A Stage (Rush) to name three, which of course is only the tip of the iceberg. Since then great live albums have been far less frequent, seemingly often tampered with so much in the studio that they lose the live feel that these great albums exuded and end up just sounding like inferior rehashes of studio versions with added crowd noise. A band that are a rare exception to this rule are Anekdoten who have not only released one great live album but two. Waking The Dead - Live In Japan 2005 is the second of these and was released some seven years after their first (not including the live ep) so no accusations of live album overkill like some bands I could mention can be levelled at them.
Both live albums are essential for the Anekdoten fan as there's no repetition in tracks between them. Where as Official Bootleg focused on their first two albums this one largely concentrates on albums three and four, From Within and Gravity.
Musically Anekdoten are at the heavier end of the prog spectrum, their first two albums in particular had clear King Crimson influences but by the time From Within and Gravity emerged they were displaying much more of their own identity in their sound, the music now more haunting, the riffs less angular and often locking into hypnotic grooves. Check out Hole and The Sun Absolute here for the proof of which there are superb versions. Mellotron lovers will be in heaven as Anna Sofi Dahlberg covers each track in all- encompassing waves. A particularly welcome inclusion is Sad Rain, a song that could have sat easily on King Crimsons In The Court Of The Crimson King album. Until the release of 2009's Chapters compilation the only way fans of the band could own this excellent song was on the Japanese version of their debut Vemod or here. Another bonus is the inclusion of two unreleased tracks, the first being Moons Of Mars, a mellotron only composition which though short forms a nice introduction into The Sun Absolute. The second is This Too Will Pass, another instrumental which while not destined to be an Anekdoten classic is still very worthwhile.
In common with those previously mentioned great seventies live albums the sound here really captures the excitement and feel of a live show; as they explode into Monolith at the start of the cd it's like having a front row seat, such is the power it exudes.
A big disappointment for me is that I've never managed to see Anekdoten live. Thankfully I have this brilliant cd (and Official Bootleg) as more than adequate compensation.
Paul Fowler

Upon my deliberation of what Anekdoten live release to acquire first I picked the 2005 Waking The Dead Based on the high praise it has received up to this point. I was also somewhat uncertain about the whole Official Bootleg part of the title that was added to the band's 1998 live album (not to mention the hefty $14 price difference), even though the track-list featured there felt much more familiar to me. The set-list here consists almost entirely of the albums From Within and Gravity which I consider to be good but not as appealing to me as their first two albums. I guess that I also wanted to find a new reason to like the second stage of Anekdoten's career therefore I, once again, jumped in head first without any preconceived expectations!
My first reaction was related to the sound quality that wasn't top notch and lacked the punch I was so accustomed to with other live recordings in recent years. Fortunately it didn't ruin this album since the current production softens down the sound making it work surprisingly effective with Anekdoten's luscious and mellow sound. Unlike my own concert experiences of the band where drums and bass always overshadowed guitars and Mellotron this is definitely not the case here and if anything I would say that the complete reversal of that scenario can be observed here.
Even though I'm not a huge fan of the studio versions of this material, the live setting did enhance these songs. I was especially pleased with the version the instrumental called The Sun Absolute that not only felt much more atmospheric than it did on From Within but now it was also accompanied by a nice intro Mellotron track titled Moons Of Mars. I happen to be one of the few people who cheaped out and only bought the original version of Anekdoten's debut album Vemod meaning that I haven't actually heard the wonderful bonus track called Sad Rain that was added to the later reissues of that album. This is a mistake that I do regret now that I've heard this gorgeous live take. Fortunately the band did foresee this problem and added a alternate version of Sad Rain on their 2009 compilation album.
I'm pleasantly surprised by Waking The Dead - Live In Japan 2005 and would like to add my voice to the legion of enthusiastic reviews that this live album has received. Even if you're just like me and find it difficult to enjoy the slow but steady shift of direction that Anekdoten has been going through ever since the release of From Within I still recommend giving this one a try. Who knows, maybe it will help us gap the bridge between the two eras of this great band development.
Alexander Peterson

Japanese people had a wonderful and unique night, I am sure!
One of the things I will always thank to this site, is that here I've known a lot of bands, some great, some just nice, some not really good, and some of them, like Anekdoten, essential to my ears. Fortunately I managed to listen to this band some years ago when my prog knowledge was limited (is still limited, actually) to the big old bands, so when I discovered them, I felt perplexed and excited, because I was listening to something I've never experienced before. Since then, my love for Anekdoten has increased until now I can say they are one of my top 5 bands ever.
A couple of years ago I found and bought this live CD, which was released in 2005, and recorded the same year from a concert in Japan. Now I can say that it is also one of my favorite live albums, because since the first time I listened to it, I felt caught by their music, their intensity and power, their delicate but strong sound, to the point that I have dreamt that Anekdoten came once more to my country (Mexico). I hope they'll do it soon.
This extraordinary four-piece band have managed to create extraordinary music, with a heavy sound but tempered by their distinctive mellotron. What one can listen in this concert, is just a proof of their grandiose ability to gather both, the music and the audience, in one only body, one only world.
"Waking the Dead: Live in Japan" features eleven songs and a total time of 78 minutes. Nine out of those eleven tracks were taken from their previous albums, but "Moons of Mars" and "This too will pass" were unreleased songs that the Japanese could appreciate first than anybody. What I love from this live show, is that since the very first track they put me on the mood and make me enjoy every single second of their music, it is like a long trip divided in nine stories, which will make me smile and feel happy through those 78 minutes.
Here you can appreciate and enjoy songs like "Hole" or "The Sun Absolute" taken from their "From Within" album, "Ricochet" or "Monolith" off their "Gravity" and the mighty and classic epic entitled "Sad Rain" taken from their debut album "Vemod". The heavy sound they create and the intriguing atmosphere offered, may cause you goosebumps, so be ready to experience one awesome, strong and not weak at all concert from this marvelous Swedish band. Put your headphones on, and "let the music do the talking".
Sometimes words are not enough to express what you feel, but well, this live album is unique and remains as one of my gems, I simply love it. Probably my personal favorite moment is when Hole" sounds, at the middle of the song there is a passage that take me to another time and space, I simply open my senses and feel what the music offers. I highly recommend it to any progressive rock fan. My final grade will be five stars.
Enjoy it!
Guillermo H. Urdapilleta

First of all, beautiful LP-case packing. This Japanese release is awesome. The music?, well we waited so long to hear Anekdoten again, and what a treat. Glorious mellotron all over. The first of the two previously unreleased tracks, Moons of Mars, is a short and quiet mellotron piece, that builds in a manner simmilar to frippertronics. Wonderful. The second, This Too Will Pass, is also somewhat mellow for the first 5 minutes, and then...Anekdoten as its best, gorgeous! I can't wait for the DVD of this show.
Fervetopus

This album may be the real best album rather thatn their official best album "Chapters" because of the song selections, what are missing in this album are famous Karelia and Nucleus only which they played in this concert recorded to this album. Yes, I was there when they recorded the play. Therefore, I can guarantee that the recording and mixing tech is so nice that the sound on the album is exactly duplicating what was heard in the concert hall. The technicians did excellent job.
As you know, Anekdoten was inspired by King Crimson and thus their music is very close to that of KC naturally. But the point is that their music is more emotional and they are on the side of KC's Epitaph, Exiles, and Starless. This means that Anekdoten has enormous talent in composition. Storm of mellotron is only a tool for them to enhance their melodic aspect. I love their music simply because the melody is unforgettably beautiful.
Katsuhisa

Not for easy listeners or any other amateur in rock music this guys are one of Sweden finest exports ever... After the eminent disappearing of ANGLAGARD probably ANEKDOTEN is the best progressive active band in the world borned in early 90s. Since their first release in 1993... Keyboardist, mellotronist Anna Sofi Dahlberg enhanced the other 3 male efforts to turn their music in hyms of what progressive rock can give to the people´s soul. Anekdoten is very emotive in all of their compositions combined with a lot of volcanic scandinavian energy and sadness. Recorded again in Japan, their second live album has two inedit tracks "Moon of Mars" and "This too will Pass" as well as a long awaited twelve minutes version of "Sad Rain" only available before on Vemod´s Japanesse edition. Maybe is a little short for the fans...Christ!!!! this album is 78 minutes long and passes to fast.And at the end of the day, Waking the Dead it`s a great album with a seductive selection in tracks dispositive and the voice of Nicklas Barker remains intact after 12 years since ANEKDOTEN´s Debut. But i`m still wondering....were is the rest of the concert?
Rafael Balboa

I am NOT a fan of live albums, in general, but the previous reviewers of this album were so enthusiastic about this one that I decided to try it (as difficult as it was to procure) as my first Anekdoten disc. (I've been listening to and really enjoying the samples I've been hearing through the web but heretofore hadn't purchased any of their music outright.) I agree with Heptade that these renderings surpass those of their studio recordings--even my fave, "Hole." Every prog-lover should experience the amazing mellotron work of "Moons of Mars" and its sister "The Sun Absolute." Spine-tingling is right!! Everytime I listen to this disc (which I have over fifty times now) I hear new things--nuances and cadences, instrumental subtleties that I'd not heard before (and Anekdoten is, if anything, a group of extraordinary subtlety). There are few groups out there I'd pay to see live at this stage of my life, but this is one of them. I would love to be in a room with the waves of mellotron filling the space, building and building as they echo off the walls. Also, is it my imagination, or has Nicklas Barker's voice/vocals been improving with time/age? An masterpiece of progressive rock music; essential to anyone's collection.
W. A. Fisher

Anekdoten keeps on proving that they by far surpass the Flower Kings or any otherSwedish Prog band for that matters. I was lucky to attend this tour, that was the first time they came to Netherlands. Too bad that so few people showed up...since I think it was one of the highest checkenskin concerts I ever attended. This probably because it was the first time that I saw a band playiong with a melotron on stage....only that already caused some truly deeply touching moments...
The gig itself was.....stellar and was showing a musicianship that I only have seen a few times before. I think of Dream Theather now...but even more of King Crimson and Yes. As in King Crimson all these people are clearly experts in their own instrument and know how to use it. And that shows....song after song they were drwowning us in this great tunes and compositions. Although it was truly a gig of classic after classic they built the set up to a true highlight...that ofcourse could only end with Sad Rain, which in fact was a request from the audience....Mellotron heaven....for sure. Before that many many songs had already passed the revue....inclusing ofcourse From Within, Hole, The Old Man and The Sea and ofcourse Book Of Hours (which was the first song I ever heard from them)...after Sad Raid the other highlight for me was the song Gravity..........truly one of the best songs they ever made...only...it was too short...I so much hoped they would to the bridge...'Its getting dark, too dark too see..etc..' etc..but no. Still a great song though......
The CD is very much a representation of this same tour....and contained many songs they played in Nl too. Too bad Anekdoten has a habbit of recording this gigs always in Japan. Excelent sound (what else do you expect from a Japanese pressing) and a good add to their previous live double album.
However as was the case with the other live album, not the entire set is included. In the booklet it showed what was played that 2 nights, which was not only much more as in NL, but also much more thats on the CD. Equally with the CD there also was anounced that there should come a live DVD from this as we'll. But till now it never saw the light of day.....If they ever do...please add an entire set...as is stated in the booklet......Only the thought already makes me drew.
Daniel Schotman

Y no olviden agradecer a Alberto por todas estas maravillas, y no se pueden quejar, que esta semana fue cortita pero plagada de sorpresas y discazos como para que se entretengan todo el fin de semana.


Lista de Temas:
1. Monolith
2. From Within
3. Kiss Of Life
4. Hole
5. SW4
6. Moons Of Mars
7. The Sun Absolute
8. Ricochet
9. Gravity
10. This Too Will Pass
11. Sad Rain

Alineación:
- Nicklas Barker / voice, guitars, Mellotron
- Anna Sofi Dahlberg / Mellotron, keyboards, voice
- Jan Erik Liljeström / bass, voice
- Peter Nordins / drums, cymbals, Mellotron



Comentarios

  1. Alberto felicidades por tu buen gusto y gracias por compartir esta musica.
    Y a ti Moebius gracias por las publicaciones.

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Este espacio fue gestado con la intención de compartir sonidos, melodías que nos conmueven día a día, que nos reciben al abrir los ojos, quizás para muchos el primer contacto con la realidad, antes que un mate o un desayuno como la gente. Estos sonidos nos causan extremo placer y por eso queremos convidarles un poquito, para juntos escapar a la dominación del hemisferio izquierdo.
Pasen, vean, lleven lo que gusten. Pero si tienen la posibilidad de hacerse con el material tangible, no lo duden, es la forma que tenemos de colaborar con los artistas para que sigan creando.
Sí alguna persona o ente se siente ofendido por encontrar material en este sitio le rogamos nos lo haga saber, todavía creemos en las palabras.
Si por alguna razón no pueden leer estas lineas, usted ya no es, usted ya no existe, usted tiene un moog en la cabeza.


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Este espacio se reserva el derecho de publicar sobre cualquier tema que parezca interesante a su staff, no solamente referidos a la cuestión musical sino también a lo político y social.
Si no estás de acuerdo con lo expresado podrás dejar tu comentario siempre que no sea ofensivo, discriminador o violento...

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Género: Rock psicodélico / Space rock
Nacionalidad: Inglaterra



Cincuenta años después, solo Dave Brock siga en…

Black Sabbath - Sabotage (1975)

Hoy empezamos el día con el que es quizás el album más heavy de los Sabbath. En una memorable reseña de nuestro nuevo colaborador y miembro del staff, el señor Andersen hace su entrada triunfal en el bloog cabezón con un comentario imperdible (y que esto sirva para darle la bienvenida al staff). Con ustedes, el último gran álbum de los primeros Sabbath: Tony Iommi, Ozzy Osbourne, Geezer Butler, Bill Ward y Gerald Woodruffe para un disco que es un clásico con tapa horripilante.Y el señor Andersen dice: "Una obra que escapa a cualquier definición, y se encuentra en esa zona gris, en esa mitad de camino, que legó para la historia los mejores discos del género". Creo que es una excelente forma de comenzar con la aparición de "Sabotage" en el blog cabezón.

Artista: Black Sabbath
Álbum: Sabotage
Año: 1975
Género: Hard rock
Duración: 43.38
Nacionalidad: Inglaterra



Aquí, las líneas del señor Andersen recreando este disco pero desde una perspectiva personal y bien argenta...
Bla…

Ñoquis Chetos en Chile: Los Saqueos de la Élite

En consonancia con nuestro reciente posteo sobre los choriplaneros amarillos VIP, veamos qué es lo que pasa también con nuestros hermanos trasandinos que tan bien están luchando contra un sistema deshumanizado y corrupto. Y ahora, que según se ha publicado en diferentes medios, varios países europeos asesorarán a los cuerpos policiales antidisturbios chilenos (como si ello hiciera falta ¿acaso no les alcanza la violencia de su tremenda represión contra su propio pueblo?) ante la revolución (ellos la llaman crisis) que vive Chile, que supera los cuarenta días, entonces nosotros recordamos un poquito el porqué de esta crisis. Aquí, una nota sobre la corrupción neoliberal que originó todo el desastre que desespera y atormenta al pueblo chileno.


Por Pablo Carvacho y Amalia Valdés
De acuerdo a cifras estimadas por el mismo Núcleo de Investigación, entre la colusión de pollos (1996-2011), la colusión de papel higiénico (2000-2011) y la de farmacias (2007-2008), suman 1.687 millones de dólares…

Epumer - Machi - Judurcha / Malosetti & La Colonia

Sábado 7/12/2019 - 21:00 hs.
Por primera vez juntos, dos bandas unidas por la música y la amistad

Auditorio Belgrano
Virrey Loreto 2348, 1426 Buenos Aires

Evento en Facebook


Gordian Knot - Emergent (2002)

Integran este proyecto Sean Malone (líder de este proyecto y bajista de ese notable proyecto llamado Cynic), Steve Hackett, Bill Bruford y otras bestias. Los otros días yo estaba pensando que había que traer a Gordian Knot al blog cabezón, un proyecto por demás interesante, sabroso, virtuoso pero de gran sensibilidad. Y resulta que el Mago Alberto me leyó la mente y me ganó de mano, aquí hay música de muy alto vuelo, un tecno-prog impecable. Pero ojo que esto, más que un grupo, es el proyecto del extraordinario bajista Sean Malone, quien ha reunido a excelentes músicos para darle libertad a sus ideas y experimentación, creando una música que suena avanzada, potente, que desconcierta, con muchos cambios de ritmo y donde los principales instrumentos son el bajo, el stick y el warr guitar, con los que se crean pasajes musicales que pasean entre el jazz, el metal y el progresivo. Han pasado por la banda, además de los músicos que intervienen en este disco, Ron Jarzombek (Watchtower y Spas…

Videos de los Viernes: Dr. Faustroll y Porcupine Tree

Y volvemos con nuestros videos de los viernes, esta vez con un interesantísimo proyecto brasilero llamado Dr. Faustroll, y con los vieja y querida tropa de Steven Wilson: Porcupine Tree en vivo. Así nos disponemos a ir cerrando esta semana, otra con grandes discos, sorpresas, novedades y puteadas varias. Como siempre!


Dr. Faustroll - D4T4 (2019)

Hoy Rocío Jazmín apareció con un EP debajo del brazo, y nos dijo: "Gente de bien (creo que se equivocó, esos seguramente no somos nosotros), éste buen muchacho a quién antes le dedicaron una maravillosa reseña (???) sacó nuevo material, realmente bueno. Vale mil escuchadas, y desde ya gracias por divulgar y dar a conocer siempre tan buena música." (y eso es verdad, los temas que le svamos a presentar son temas realmente muy buenos!). Corresponden a su EP "D4T4".
Dr. Faustroll es un proyecto oriundo de São Paulo, Brasil, createdo por el guitarrista Biaggio Vessio. Todas las composiciones son del propio Biaggio Vessio, quien a…

Camel. Nude. Edición Rockarte

El Arte en Tiempos de Conflicto

Chile: "Giant Steps" de John Coltrane interpretado en la primera línea de batalla, donde la fuerza del arte se traduce en un mensaje que viaja a través de las vivencias colectivas, para hablarnos de algo universal, humano, esencial. El rol del arte en la coyuntura actual es el de recordarnos quienes somos, en cuanto seres emocionales, racionales y sociales. De la misma manera, el arte se convierte en un canal a través del cual se transforman las narraciones íntimas en una voz colectiva, que denuncia las situaciones que la sociedad se niega a vivir de nuevo.

Aquí, un claro reflejo...


Pero no el único...





Lito Vitale - 40 Años De Rock Argentino - Escúchame Entre El Ruido Volumen I & II (2006)

Todo disco de Lito Vitale que aparezca en el blog cabezón será bienvenido, pero en este caso se trata de un CD doble con algunos buenos temas del rock argentino interpretado por gente como Pedro Aznar, David Lebon, Baglietto, el Indio Solari, Miguel Cantilo, Gustavo Cerati, Lito Nebbia, León Gieco, Horacio Fontova, Luís Alberto Spinetta y muchos otros, interpretando temas de Charly García, Aquelarre, Vox Dei, La Renga, Los Redondos, Serú Girán, Crucis, el Flaco Spinetta, Moris, Arco Iris, Soda Stereo, Los Abuelos de la Nada, Pappo, Manal, Divididos, Sumo, Calamaro, Gieco, Catupecu Machu y más, entonces estamos hablando de un gran álbum, digno para que lo puedan degustar este fin de semana. El Mago Alberto se zarpa nuevamente y nos ofrece este invalorable aporte que nace de Vitale pero llega mucho más, hasta llegar a tus oídos. Dos discos en uno, y algo que no puede quedar fuera del blog cabezón.

Artista: Lito Vitale
Álbum: 40 Años De Rock Argentino - Escúchame Entre El Ruido
Año: 2006
Gén…

En Búsqueda de Nuevos Símbolos

La rebelión popular contra los genocidas: fiel reflejo de la crisis de un modelo. Una imagen que le hubiese encantado ver al periodista y escritor anarquista Osvaldo Bayer, que tanto ha luchado por la transformación de iconos culturales que fomentan la dependencia y la violencia, un universo de sentidos y símbolos que forman parte de la memoria colectiva: en Punta Arenas, en medio de las protestas en Chile, la escultura de José Menéndez, empresario español a quien se le atribuye la extinción de la etnia Selk'nam, fue también destruida y llevada a los pies de la estatua del Indio Patagón, figura que homenajea a los indígenas que ya habitaban esa zona antes de la llegada de los conquistadores. De manera similar, se han dañado más de 70 monumentos y esculturas Se trata, especialmente, de figuras de la colonización europea y de militares chilenos amigos de acciones criminales (fusilamientos, matanzas, genocidios, usurpaciones y otras bellezas). Y en momentos catárticos, carnavalescos,…

Unordered List

"La desobediencia civil es el derecho imprescriptible de todo ciudadano. No puede renunciar a ella sin dejar de ser un hombre".

Gandhi, Tous les hommes sont frères, Gallimard, 1969, p. 235.

Entradas populares de este blog

Denuncia en Primera Persona. El Desprecio a la Discapacidad

Quizás el rostro más duro y paradigmático de la política se pueda captar con precisión con las personas más vulnerables de la sociedad y el respeto que reciben por parte del poder político. Y esto va mucho más allá de las ideologías: es simple humanidad, o anti-humanidad. Aquí nos deja su mensaje, reclamo y denuncia nuestra amiga cabezona Natalia, quien partiendo de su historia personal, toca la problemática de la precarización laboral existente en el Gobierno de la Ciudad de Buenos Aires en general, y repasando las actuales dificultades para la obtención del Certificado Único de Discapacidad, enfatizando la necesidad del pase a planta permanente de las y los integrantes del colectivo que actualmente se encuentran precarizados. Los datos demuestran que la crisis afecta de manera más significativa a las personas que pertenecen a colectivos que ya venían sufriendo discriminación. Por eso la crisis también ha empeorado las condiciones laborales y sociales de las personas con discapacidad…

NatGeo: Documental de Luis Alberto Spinetta

Para los que no pudieron ver este documental del Flaco, emitido por un canal de cable, aquí lo compartimos, una hermosa biografía de un gran artista. La biopic sobre el artista que falleció en 2012 tuvo varios momentos destacados, con Catarina Spinetta como conductora, la biografía, de casi dos horas, reconstruye la vida y obra de Luis a través del testimonio de los que más lo conocieron: sus familiares, amigos y compañeros de trabajo. Dante comentó: "Mi viejo es inmortal, porque te sigue hablando a través de las canciones y te sigue enseñando". Y como yapa, les damos las coordenadas del mural "Luis Alberto Spinetta" (Grand Bourg, Provincia de Buenos Aires). Y gracias al Mago Alberto por pasar el link...





Esbjorn Svensson Trio - Live In Hamburg (2007)

Artista: Esbjorn Svensson Trio Álbum: Live In Hamburg
Año:2007
Género: Jazz
Duración: 1:58
Nacionalidad: Suecia
Lista de Temas:
1. "Tuesday Wonderland"
2. "The Rube Thing"
3. "Where We Used To Live", 
4. "Eighthundred Streets By Feet"
5. "Definition Of A Dog"
6. "The Goldhearted Miner"
7. "Dolores In A Shoestand"
8. "Sipping On The Solid Ground"
9. "Goldwrap"
10."Behind The Yashmak"
Alineación:
Esbjörn Svensson / Piano
Dan Berglund / Contrabajo
Magnus Öström / Batería
Lino, nuestro cabezón venezolano, se pega una vuelta por el blog y resube este buen disco de jazz contemporáneo. Si te gusta el jazz, no dudes de escuchar este trabajo. Gracias Lino!

Las 100 Mejores Canciones del Prog

Aquí, las 100 mejores canciones de rock progresivo de todos los tiempos, según la revista "Prog". Y aunque habitualmente no le damos bola a la lista de mejores discos o canciones de rock progresivo de la historia ofrecida por algunos portales, webs y demás publicaciones, quizás está bueno darle importancia a la lista que ofrece ahora la revista "Prog" (esa misma que da los premios que mencionamos el otro día) ya que es armada según la opinión de gran parte de su público. En concreto, la revista "Prog" ofrece un total de 100 canciones y la lista la ha elaborado a partir de una encuesta muy trabajada donde han participado tanto lectores como expertoso, artistas y autores de música consultados por la publicación. Una recopilación de lo más compleja que creo merece la pena.

Aquí está la lista de las mejores canciones de rock progresivo del puesto 100 al 1:

100) Inca Roads - Frank Zappa & The Mothers Of Invention
99) The Life Auction - Strawbs
98) In The Ca…

Tool - Fear Inoculum (2019)

Lo presentamos como sorpresa incluso antes de que salga a la calle, gracias a los incomparables aportes del Mago Alberto. Recién salido, ya adelantamos un poco lo que se notaba, Tool aportaba un nuevo / viejo estilo, con los mismos elementos de siempre pero dispuestos de otra manera, lo que generó primero la incógnita, luego la patada en el culo y el desgarro de ropajes de sus seguidores más incondicionales, acérrimos y fanáticos. Pero con un resultado completamente diferentes para aquellos que lo escucharon con las mentes abiertas. En el momento de publicar el disco hablamos aquí de disrrupción. ¿Ocaso? ¿Renacimiento?. En todo caso más bien de alternativa y desafío. Oprobio y quizás nueva gloria. Quizás... Y ahora, más escuchado y con más idea de todo lo que se mueve aquí adentro, le damos una revisión a este disco, que no es ninguna continuación de "Lateralus" (que era lo que todos los fans esperaban). Todo ello igual a lo nuevo de Tool.

Artista: Tool
Álbum: Fear Inoculum
Año…

La Barranca - Eclipse de memoria (2013)

Artista: La Barranca
Álbum: Eclipse de memoria
Año: 2013
Género: Rock poético mexicano
Duración: 45:04
Nacionalidad: México

Lista de Temas:
01. El alma nunca deja de sentir
02. Ante la ley
03. Garzas
04. Flores de invierno
05. En cada movimiento
06. La tercera joya desde el sol
07. El futuro más distante
08. Campos de batalla
09. Sequía
10. Siempre joven
11. El tiempo es olvido


Alineación:
- Federico Fong / bajo, piano, percusión.
- José Manuel Aguilera / voz, guitarras, órgano, charango.
- Adolfo Romero / guitarras.
- Navi Naas / batería.
Invitados;
Enrique Castro / marimba, percusión, piano, kalimba.
Alfonso André / batería.
Cecilia Toussaint / coros.
Yamil Rezc / percusión, juno, batería.
Agustín Bernal / contrabajo.
Darío González / rhodes, mellotron, hammond.
Daniel Zlotnik / sax soprano, sax tenor, flauta, hulusi.
Erick Rodríguez / trombón.
César Barreiro / trompeta.
Magali / piano.
Mónica del Águila Cortés / cello.
Arturo González Viveros / violín.
Erika Ramírez Sánchez / viola.

Y ya p…

Hawkwind - All Aboard The Skylark (2019)

Ya presentamos a Hawkwind en el blog cabezón, ese delirante y salvaje grupo del que saliera, entre otros, un jovencísimo Lemmy Kilmister. Incondicionales del rock espacial desde hace 50 años, mixturando punk, garage, rock espacial, rock psicodélico para crear sonidos de una fiesta interplanetaria con bastante adrenalina de a momentos, pero también con otros de inclinaciones acústicas.  Un disquito donde tendrán muchas cosas del viejo Hawkwind pero embebidas en el presente, detrás de esa vital energía multicolor que los hiciera conocidos. Los vibrantes sintetizadores y la atmósfera astral a veces reemplazados por suaves pasajes, pero todavía suenan como una especie de repertorio de sonidos asombrosos. Aquí, lo último de Hawkwind, y aclaro que con él volvemos a la sección de los discos que amas o que odias sin términos medios.

Artista: Hawkwind
Álbum: All Aboard The Skylark
Año: 2019
Género: Rock psicodélico / Space rock
Nacionalidad: Inglaterra



Cincuenta años después, solo Dave Brock siga en…

Egberto Gismonti & Naná Vasconcelos - Duas Vozes (1985)

Artista: Egberto Gismonti & Naná Vasconcelos Álbum: Duas Vozes
Año: 1985
Género: Jazz Fusión / Latin Jazz
Nacionalidad: Brasil

Lista de Temas:
1. Aquarela do Brasil
2. Rio de Janeiro
3. Tomarapeba
4. Dancando
5. Fogueira
6. Bianca
7. Don Quixote
8. O Dia, À Noite

Alineación:
- Egberto Gismonti / guitar, piano, dilruba, wood flutes, voice
- Naná Vasconcelos / percussion, berimbau, voice



Robert Dimery, Editor - 1001 Albums You Must Hear Before You Die (2006)

Libro de referencia de la música pop aparecida entre 1955 y 2005, abarcando los géneros desde el rock, blues, folk, jazz, pop, electrónica y world music. Las reseñas fueron realizadas por un equipo de unos 90 críticos de distintas latitudes y gustos. El trabajo se basa en discos originales, quedando así por fuera las recopilaciones de varios artistas, quedando excluido así, el mítico álbum de Woodstock. Sin embargo el panorama es muy amplio y uno siempre encontrará artistas que no ha oído.

Editor: Robert Dimery Prefacio: Michael Lydon
Primera Edición: 2005
Cubierta:Jon Wainwright
Género: Catálogo
Páginas: 960
Nacionalidad: EEUU Editorial:Universe Publishing
Reediciones:2008, 2011, 2013 Otros Idiomas: español, portugués, noruego, finés, sueco, y otros.



Presentación del Editor de libros de Amazon.com 

The ultimate compendium of a half century of the best music, now revised and updated.1001 Albums You Must Hear Before You Die is a highly readable list of the best, the most important, and the most in…

La Barranca - Denzura (2002)

Artista: La Barranca
Álbum: Denzura
Año: 2002
Género: Rock alternativo
Nacionalidad: México

Lista de Temas:
01. fascinacion
02. animal en extincion
03. hasta el fin del mundo
04. donde la demasiada luz forma paredes con el polvo
05. la vision
06. no mentalices
07. denzura
08. montana
09. la rosa
10. madreselva
11. minotauro
12. kalenda maya

bonus ep: cielo protector
13. cielo protector
14. rendicion
15. tsunami
16. el agua que cae
17. cielo protector (demo)


Alineación:
- José Manuel Aguilera / guitarra, voz, órgano
- Alejandro Otáloa / guitarra, piano, teclados
- José María Arréola / batería
- Alonso Arréola / bajo, guitarra acústica
Músicos Invitados:
Federico Fong - piano eléctrico (6)
Cecilia Toussaint - voces femenina (2,10)
Marco Antonio Campos - percusiones (2, 4, 9, 10)
Joe D'Etiene - trompeta (8 )
Cherokee Randalph - viola (3, 6, 7)
Mónica del Aguila - chelo (3, 7, 6)
José del Aguila - violín (3, 6, 7)
Arturo González - violín (3, 6, 7)
Eduardo del Aguila - platillo tibetano (1)