Aclaración...

Este espacio se reserva el derecho de publicar sobre cualquier tema que parezca interesante a su staff, no solamente referidos a la cuestión musical sino también a lo político y social.
Si no estás de acuerdo con lo expresado podrás dejar tu comentario siempre que no sea ofensivo, discriminador o violento...

Y no te confundas, no nos interesa la piratería, lo nuestro es simplemente desobediencia civil y resistencia cultural a favor del libre acceso al conocimiento (nuestra música es, entre otras tantas cosas, conocimiento).

domingo, 27 de septiembre de 2015

Roger Waters - Radio K.A.O.S. (1987)


Artista: Roger Waters
Álbum: Radio K.A.O.S.
Año: 1987
Género: Rock progresivo, pop
Duración: 41:24
Nacionalidad: Inglaterra


Lista de Temas:
1. Radio Waves
2. Who Needs Information

3. Me Or Him
4. The Powers That Be
5. Sunset Strip
6. Home
7. Four Minutes
8. The Tide Is Turning (After Live Aid)

Alineación:
-
Roger Waters / vocals, guitars, bass guitar, shakuhachi, keyboards
- Graham Broad / percussion, drums

- Mel Collins / saxophones
Musicians:
- Nick Glennie-Smith / DX7 and Emu on "Powers That Be"
- Matt Irving / Hammond organ on "Powers That Be"
- John Lingwood / drums on "Powers That Be"
- Andy Fairweather Low / electric guitars
- Suzanne Rhatigan / main background vocals on "Radio Waves", "Me or Him", "Sunset Strip" and "The Tide Is Turning"
- Ian Ritchie / piano, keyboards, tenor saxophone, Fairlight programming, drum programming
- Jay Stapley / electric guitars
- John Phirkell / trumpet
- Peter Thoms / trombone
- Katie Kissoon, Doreen Chanter, Madeline Bell, Steve Langer & Vicki Brown) / background vocals on "Who Needs Information", "Powers That Be" and "Radio Waves"
- Clare Torry / vocals on "Home" and "Four Minutes"
- Paul Carrack / vocals on "The Powers That Be"
- Paul Batchelor / assistant engineer
- Noel Davis / choir master
- Nick Griffiths / producer
- Kate Hepburn / cover design
- Eric Jones / choir arrangement
- Chris Sheldon / engineer
- Kevin Whyte / assistant engineer

Antes de comenzar este post, quisiera hacer algunas aclaraciones. Para los navegantes ocasionales, voy diciéndolo desde ahora. Este post es para mostrar mis apreciaciones y para los ya asiduos consultores de este blog ya saben nuestro modo de publicar.

Este disco de Roger Waters me parece interesante y a la vez un poco chocante respecto a sus anteriores publicaciones. Por primera vez veo que se base el concepto de la guerra y los medios de comunicación como temas centrales de un disco del artista. Ojo, y no confundir a The Wall de Pink Floyd como si se basara sobre la guerra, aunque se intentó utilizar en cierta forma para ese fin. Tampoco con el álbum Final Cut, que es más una crítica a los malos tratos de los soldados combatientes pero también incluye el tema de los conflictos bélicos.
Regresando al disco que nos compete en esta ocasión, Radio K.A.O.S. se basa en la visión de una persona en estado vegetativo que puede conectarse usando señales inalámbricas y a través de un teléfono se conecta a Radio K.A.O.S. para contar su situación. Al ver que este mundo no tiene arreglo, decide simular un ataque nuclear. 

Lamentablemente, este álbum fue infravalorado y no se le dió la atención debida. Sus ventas fueron bajas comparadas con su anterior álbum e incluso la gira estuvo plagada de bajas ventas (esperemos que algún día saquen en Blu Ray o DVD de la gira promocional del disco). Incluso el mismo Roger Waters se arrepintió de haber grabado este disco.

Recomendación de un cabezón: Todo el álbum debe ser escuchado en su integridad para que se pueda apreciar como se debe. El tema más interesante del disco es sin duda Four Minutes, que casualmente dura casi 4 minutos y es la simulación de un ataque nuclear.

Seguimos con el review de sputnikmusic.com:

First review... so here it goes.
Roger Waters was considered by many to be the backbone of Pink Floyd during their high point. He was responsible for many of the concepts behind most of their greatest albums and wrote the majority of their most popular material. When Pink Floyd began crumbling, Waters declared it a spent force and disbanded it. I won't get into all the complicated parts of that, but Roger Waters decided in the end to work on a solo career. His first album The Pros and Cons of Hitchhiking was very much a tribute to his old fans; it was Roger Waters in its purest form. This was overbearing for many people, however. Radio Kaos is much more of a pop album, it does however manage to stick enough the the basic principles of Roger Waters music to remain popular among his fans, while being listenable to everybody else.

The album's concept is an odd one, and I will try to explain it as I go through each track, but to be honest with you it doesn't make sense even when summarized and described by Roger himself.

Radio Waves- 3/5
The opening track is probably the most popish track on it. It's a good start, but my only problem with it is how hard it is to take it seriously. We are introduced to the protagonist (if it's right to call him that) called 'Billy' who can hear radio waves in his head, but is completely unable to communicate normally. I really wish Roger had chosen a name other than 'Billy', it is hard to listen to this song without laughing a bit inside about "magic billy in his wheelchair" let alone "Billy is face to face with outer space". On the good side though I like the guitar solo (although some may disagree), and the backup vocals seem very fitting for a song about radio (although I can't put a inger on what it is).


Who Needs Information- 4/5
Alright so this Billy guy has a brother called 'Benny' who decides to go have some fun. They (I haven't figured out if Billy is here, or if he's just reminiscing) see an electronics store. They take a brick and try to drop it from a bridge, but benny gets cold feet. They go home, but benny still goes to jail. The story STILL doesn't make sense, but the song itself is quite good in my opinion. 'Who needs information' is musically very strong, the vocals are much more convincing and less forced than in Radio Waves. The back-up vocals are well used, and the saxophone is a nice addition. it's hard to describe, but overall its a nice (if somewhat confusing) song.

Me or Him- 3.5/5
This song is a bit quieter than the other ones, but it's a nice change from the popyness of Radio Waves and Who Needs Information. I'd have to say that this song is a bit repetitive, and goes on a bit. I certainly like the references to Ronald Reagens advertisements, it adds some nice background to the song and makes it more believable. Having the detainees in one ear and the cowboy movie in the other ear (if your on headphones, which incidentally this album sounds best with from my experience) sends its message effectively. Overall a quite song, but a bit of a filler albeit a nice one.

The Powers That Be- 4/5
A powerful attack on the powerful in society, which in my opinion is one of the better songs in the album. Most of the song is long lists of things that the "Powers that Be" like, but its effective and interspersed with some interesting guitar parts and vocal breakaways. Pretty much nothing happens story wise in the album, but its certainly a central part of it.

Sunset Strip- 3.5/5
Back to the more popish songs here, but this one is generally quite nice. This song seems to be 'Billy' feeling homesick about being in LA (Billy is form Wales), he calls up Jim (A radio host who he has been talking to) to try to get his minds off things. The refrain of "A blood red dragon on a field of green" (and variations of it) serve as nice intervals to keep the song interesting. Overall nice, no real criticism other than that the back up vocalists making train noises seems silly.

Home- 4/5
Billy is now angry at the 'Powers that Be' and plans to fake a nuclear attack while also stopping them from responding. This song is more or less a plee from Roger Waters to not accept nuclear war and to go against the Powers that Be. It's saying that Nuclear weapons do not discriminate, and that they could kill anyone including the listener. Musically it has two sections which are brilliant breakaways from the normal theme of the song. Definitely worth a listen. From here and on this album becomes entirely anti-nuclear.

Four Minutes- 4/5
A continuation of the theme of 'Home'. In this song Roger (more or less) explains that when you get close to doom; you avoid that doom even more (which is why Billy is doing the fake nuclear attack). Musically its a segway into the last song, but it's a very good segway. It's a countdown, and ends with Billy's computerized voice doing a countdown, and Margaret Thatcher's voice claiming that "our own independent nuclear deterrent has helped to keep the peace" (clearly sarcastic).

The Tide is Turning- 5/5
The best is saved for last in this song, and this is arguably one of Water's best songs. It seems to be about him giving up some level of cynicism (the song was written after Waters watched Live Aid). Musically there isn't much to it, but it's its simplicity that gives it its power. The backup vocals smoothly sing "Ohh ohh ohh the tide is turning" while the song slows to an end. Overall a very impressive, even if simple, song.

Overall a very good album, it has its ups and downs and its story is very disorganized but its message is not. The Anti-Nuclear theme really only becomes apparent in the end, but the message is strong. Worth a listen if your a Waters fan, but it wont convince people who aren't.


Finalmente les presento el video de los dos últimos tracks de este gran álbum, que felizmente está siendo mejor valorado en la actualidad.



2 comentarios:

  1. Hacia rato que no escuchaba este trabajo, esta bueno, muy a su estilo y buenas melodías. Gracias por recordarlo

    ResponderEliminar
    Respuestas
    1. Gracias por compartir, pero no veo el link de descarga

      Eliminar




Lo más visitado...

Lo más visitado en el mes

Lo más visitado esta semana