Artista: The Nels Cline Singers
Álbum: Macroscope
Año: 2014
Género: Jazz
Duración: 58:33.147
Nacionalidad:U.S.A.
Año: 2014
Género: Jazz
Duración: 58:33.147
Nacionalidad:U.S.A.
Lista de Temas:
1. Companion Piece
2. Canales' Cabeza
3. Respira
4. Red Before Orange
5. The Wedding Band
6. Macroscopic (For Kusama-San)
7. Climb Down
8. Seven Zed Heaven
9. Hairy Mother
10. Sascha's Book Of Frogs
1. Companion Piece
2. Canales' Cabeza
3. Respira
4. Red Before Orange
5. The Wedding Band
6. Macroscopic (For Kusama-San)
7. Climb Down
8. Seven Zed Heaven
9. Hairy Mother
10. Sascha's Book Of Frogs
Alineación:
Arte: Andrew Masullo
Bajo, efectos – Trevor Dunn
Congas, percusión – Josh Jones
Batería, percusión, electrónica [Tratamientos electrónicos / Loops], kalimba – Scott Amendola
Piano eléctrico, sintetizador [OP-1] – Yuka C. Honda
Arpa [Eléctrica] – Zeena Parkins
Percusión [Universo] – Cyro Baptista
Productor – David Breskin
Productor, compositor, guitarra, efectos, voz, secuencias [Quintronics Drum Buddy] – Nels Cline
Arte: Andrew Masullo
Bajo, efectos – Trevor Dunn
Congas, percusión – Josh Jones
Batería, percusión, electrónica [Tratamientos electrónicos / Loops], kalimba – Scott Amendola
Piano eléctrico, sintetizador [OP-1] – Yuka C. Honda
Arpa [Eléctrica] – Zeena Parkins
Percusión [Universo] – Cyro Baptista
Productor – David Breskin
Productor, compositor, guitarra, efectos, voz, secuencias [Quintronics Drum Buddy] – Nels Cline
With the release of this album by The Nels
Cline Singers, Detroit's Mack Avenue Records takes a bold leap into the outer
fringes of jazz. Their impressive slate of artists already included the likes
of Kenny Garrett, Sean Jones and Christian McBride, who are open to pushing
jazz boundaries, but the label had no one who goes as far afield as guitarist
Cline. In fact, it's probably best to think of Cline, whether leading the
Singers or any of his other projects, as approaching jazz rather than moving
outward from it (Cline, himself, has said he is not a jazz musician), plowing
in from a sonic space where rock- centric guitar riffs mash with a heady garble
of electronic noise, loops, dance rhythms, screeching metal lines and hummable
melodies. The marvel always with listening to Cline is how well the highly
textured barrage works as music—and not just, or even primarily, on an
intellectual level—conjuring a head-bopping forward momentum that trains the
pulse to keep swinging even through the strangest passages of electronic
rattling.
For this, their fifth release, The Nels Cline
Singers shuffle their core trio a bit and bring in a handful of guest musicians
to expand the sonic mayhem. Cline and drummer Scott Amendola remain, but are
joined here by bassist Trevor Dunn, who replaces the group's original bassist,
Devin Hoff, plus keyboardist Yuka C. Honda, of Cibo Matto fame, percussionists
Cyro Baptista and Josh Jones, and harpist Zeena Parkins.
Most of the tracks are kept to lengths that
once would have been labeled "radio- friendly" (only three crack the
six-minute mark with "Seven Zed Heaven" alone pushing beyond ten
minutes), helping to keep the momentum up as the Singers move from wordless
song to wordless song (scenes, in a highly visual music). The opening track,
"Companion Piece," grows from a relaxed melody. The second,
"Canales' Cabeza," tips off from powerful riffs in hard-bop fashion.
Both shoot forward along increasingly urgent lines with the group's sound
layering into one so big and enveloping it belies the trio format—it's a
pattern (whether with hefty or more subtle crescendo) that repeats across the
album.
The guests join in on "Respira,"
nicely fracturing the scape with metal, skin and electronic percussion. Cline's
voice drones alongside ringing guitar chords or soars ethereally over them,
channeling the aesthetics of Pat Metheny groups past and present. (This is the
first time the Singers have threatened to live up to their name by shading a
couple pieces with prominent vocal coloring: Cline's voice forms a leavening
bridge to a whirring island of volcanic action on "Respira," then
moans low alongside acoustic guitar lines on "Macroscopic," wading
into a web of Amendola's electronic clatter. "Hairy Mother," an alarming
tangle of prickly electric fuzz, twined by heavy-metal guitar lines, features a
type of electronic screaming that truly amps the song's frayed, nightmare
character.)
Since this is a Nels Cline album there are, of
course, guitar solos of blistering beauty. But these moments are but part of an
organic progression of an ever- roiling music, a highly reactive science
experiment that might generate searing fuzz guitar from undulating beats
("Red Before Orange") or rise in a back-spinning psychedelic echo
("The Wedding Band") that replicates into an annihilating vortex of
amplified noise.
The album closes with "Sascha's Book of
Frogs," a rough-edged piece that takes considerable breaths between its
moments of chaos, its bright and harried guitar, blasting drums and other
percussive weirdness, plucked and bowed bass. The halting number has the feel
of a music blowing the last toxins from its veins. But when it suddenly stops,
bringing an abrupt, unresolved end to the album, it positions Macroscope as but
a slice of a much larger, ongoing experiment. For if the album's title—and,
indeed, the Large Hadron Collider artwork that graces the group's previous
effort, Initiate (Cryptogramophone, 2010)—tells us anything, it's that the Nels
Cline Singers have no intention of conducting themselves in small, confining
ways.
All about jazz
Flac + Scans
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EliminarhOla muy buena musica pero porque aparece .exe en el archivo a descargar?? muchas gracias
ResponderEliminarNo te preocupes, es totalmente confiable.
Eliminarpero como lo abro? trabajo con mac muchas gracias
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