Index - Identidade (2004)

Artista: Index
Álbum: Identidade
Año: 2004
Género: Rock sinfónico
Duración: 51:37
Nacionalidad: Brasil

Lista de Temas:
1. Vulcano (7:26)
2. Maximus (3:50)
Suite Angelus
3. Opus 1: Marina (6:23)
4. Opus 2: Eduardo (4:56)
5. Coraçoes Do Mundo: Intro (1:02)
6. Fogos De Santelmo (6:35)
7. Coraçoes Do Mundo (8:22)
i- Pulse!
ii- Azaléias 144
iii- Miles from Ana Rech
8. Index II (13:06)
i- Intro
ii- Galileu e o dilema
iii- Identidade
iv- Gran Finale

Alineación:
- Jones Junior / acoustic & electric guitar, flute
- Otaviano Kury / Hammond organ, piano, synthesizers
- Ronaldo Schenato / bass
- Leonardo Reis / drums, percussion

Y seguimos con más Index para terminar de resubir y presentar nuevamente, para aquellos que recién conocen al blog cabezón o para algún desatento que aún no lo conoce. Buen rock sinfónico nacido en Brasil y que gracias a Sandy tenermos nuevamente en el blog.

Y como lo prometido es deuda, salimos un poco del eclecticismo argentino para brindar algo más del clásico sinfonismo brasilero, en el que quizás sea el mejor trabajo de Index, nos referimos a "Identidade", su último trabajo (creo, cuidado que no estoy seguro), donde se dan el lujo de coquetear con el jazz rock, saliendo de ese esquema tan ordenadito y prolijo de las típicas melodías sinfónicas.

Con su cuarto trabajo “Identidade”, la gente de Index ha hecho uno de los aportes mas bellos del rock sinfonico sudamericano para este año 2005 – apoyado sobre los permanentes dialogos y compenetraciones entre el guitarrista Jones Junior (ex-Quaterna Requiem) y el teclista Octaviano Kury, el sonido global de Index bebe principalmente de las influencias de Camel y sus compatriotas de Quantum, con algo de la fastuosidad de ELP, pero basicamente el grupo suele cuidarse mucho de recurrir a la sobreexposicion de las ideas melodicas. En este aspecto, el sonido de la banda se aproxima mas a Dogma que a Quaterna Requiem, por poner dos referentes del mismo Brasil.
‘Vulcano’ da inicio al disco con un despliegue de prototipico esplendor progresivo: el gancho de las lineas melodicas basicas esta muy bien articulado sobre el entusiasta compas de 5/4 que atraviesa todo el tema. Luego viene el emotivo ‘Maximus’, el cual comienza con un envolvente preludio de flauta sobre capas de sintetizador hasta llegar al excelente motivo central. La bipartita ‘Suite Angelus’ permite al grupo explorar la senda del jazz fusion dentro de su propia amalgama sinfonica: la maleabilidad estilistica de Index esta firmemente asentada sobre la solvencia tecnica de los elementos individuales y la manera en que estos conjugan sus quehaceres a la hora de concretizar las ideas melodicas generales y explorar las sugerencias que van surgiendo en el camino. En varias ocasiones, Kury asume un rol protagonico crucial a la hora de integrar elementos barrocos sacros (a lo Haendel) al organo dentro de la partitura, haciendo que sus compañeros participen del momentum con sensibilidad y buen gusto – ello se hace notar de forma especial en la segunda parte, titulada ‘Eduardo’. Ciertamente, es a partir de esta suite donde el disco alcanza un pico que no abandonara jamas. La secuencia de los temas 5-7 y la suite de cierre, ‘Index II’, siguen explotando la veta ambiciosa iniciada en ‘Suite Angelus’. La Intro de ‘Coracoes do Mundo’ es una breve delicia barroca seguida por la mas bombastica ‘Fogos de Santelmo’, donde, una vez mas, lo jazzero es empleado como un ingrediente saltante dentro de este festin progresivo. Esta faena especifica se redondea con indudable eficacia en ‘Coracoes do Mundo’, la cual sigue fiel a la onda de la pieza inmediatamente anterior a la vez que conserva fielmente el nucleo establecido por el motif principal. Finalmente, ‘Index II’ expone un broche de oro esplendoroso.
“Identidade” es un disco lleno de genuina hermosura y envolvente ingenio: Index logra, con este disco, aportar un valioso grano de arena en la ardua labor de agregar frescura a la tradicion progresiva sinfonica en los tiempos actuales.

Cesar Mendoza

Third album of instrumental symphonic delights from our Brazilian friends. Only Junior and Kury remain from the band's self titled debut. Jones Junior being a founding member of Quaterna Réquiem still introduces a lot of authentic elements into the Index music. Especially the inclusion of the flute does help a great deal to balance the Brazilian feel. I do feel however that the sound of the bass is too much present in the mix. Especially "Maximus" suffers from too much bass.
With their second album Liber Secundus, Index also introduced vocals, but decided to go back to the all instrumental format with this new album. A song like "Suite Angelus" in a way comes close to the kind of music Belgian band Quies performed in the beginning of the eighties also flirting with bands such as Finch and Focus. The second part of this epic also contains some Ekseption feel as it gets close to classical music at times. With "Fogos De Santelmo" again the sound of the bass is mixed way upfront whilst Jones Junior delivers a jazzy experimental approach accompanied by similar drumming. Ronaldo's bass playing gets close to the Rickenbacker quality of Chris Squire during "Coracoes Do Mundo." Pity the arrangements often become a little sloppy resulting in your attention drifting away. Church organ and acoustic guitar introduce "Index II," which not only is the longest track on this album but also the most diverse, combining different atmospheres all chuckled into one. The sound of the synths slightly evokes a Canterbury feel, whilst some of the guitarsolos I don't really follow. It often sounds like the guitar is missing the plot altogether, trying to steer the music into a different direction than that which the rest of the band is mapping out. So right at the very end, I sit in the middle of a huge pile of doubts. Some ideas are pretty good whilst others don't really fit or match the rest of the arrangement. To my ears it often sounds like two completely different parts of music being glued together anyway. I have listened several times to this album and still feel the same way, so I don't really know where Index should go from here. They tried their luck at a vocal output which didn't work and now they have returned to the all instrumental format which also doesn't seem to fully work out. As long as the musicians feel happy that's the main concern, but if that was the case then why bother releasing CDs? So I know for a definite fact that Index wants to be taken seriously and also wants to deliver albums they can really be proud of. As it stands Identidade sounds more like a bunch of ideas put onto CD before starting the actual recording of the album. The album misses soul, misses depth, misses spirit. It's in that respect that I have to say that I'm rather dissapointed with it all.

Jean Luc Picard

I must say that I was not exactly excited when I got this CD from a friend. I heard it was a band from the guitarrist of brazilian synphonic prog group Quartema Requiem, so I was thinking that it could be either a poor copy of that band or an ego trip. When I finally put it to play I was delighted to find out it was neither. In the end Identidade comes across as one of the best instrumental prog albums I heard in recent years. Jones Junior (guitars and flute) shows great skill and good taste all over the CD and the three band members are also great musicians.
The music here is a guitar-led symphonic prog with lots of classical, jazz and latin influences. Vintage sounding keyboards give a 70´s flavour on all the tracks. Some parts remind a lot of Focus best moments (Opus 1- Marina is a good example). Although the excellent musicanship of all involved is clear, they never get lost in pointless jams or noodling, not even when they risk it into the muddy waters of Zappa-like jazzy parts (Fogo de Santelmo). It is music with discernible melodies and tight arrangements. Excellent drumming, great bass runs and swapping keys and guitar solos are the main course (some brilliant flute moments too, by the way).
Production is excellent. There are no fillers and all the songs are on the same level. Not much more to say. You hear it, you judge. For my part, I just keep pressing the repeat button over and over when I hear this CD. I don´t know about other index albums, and I´m gonna get them sooner or later, but I was hooked by this one.
Rating: I was going to give it a 4 or 4,5 star rating because some jazz-rock/fusion parts are not really my cup of tea. However, even those parts are so well done and tasteful that I ended up loving them too. Hence, five stars. A masterpiece of prog music, no less. Highly recommended! But be warned! Highly addictive too.

Tarcisio Moura

This Brazilian band already produced a very good debut album ("Liber Secundus") and this one starts wonderfully with a superb, dynamic, tribal, emotional, guitar and percussion- oriented (hi Carlos!) piece of music. "Vulcano" deserves its title: it is a boiling song. Gorgeous by all means!
Unlike what has been written in their bio, I can't find a trace of ELP in here. Anyway, the music is rich, complex and superbly interpreted. What a pleasure to listen to such an album! An all instrumental and gentle piece of pure symphony with a jazzy angle though. The musicianship is of very high quality and it is a shame that these guys are not better known. Especially on a site like ours!
Just have a listen to the sublime first part of "Suite Angelus". Close your eyes and appreciate: this is really the only thing to do while listening to this great and melodic track. Should I say another highlight? Yes of course!
And if the second leg is maybe a bit shy, it is still a very fine moment of superb symphonic rock displaying a great guitar work. It is another real good track.
The "Santana" feel is again very present during "Fogos de Santelmo": a superb blend of crying guitar, good percussion and jazzy atmosphere (maybe too jazzy though to my taste). The same applies to "Coracoes Do Mundo" with an even jazzier accent.
The great feel comes back again with the fantastic closing number: "Index II" is such a fine piece of symphonic prog!
Heavenly guitar, sustained bass and great drumming work. A true delight for sure. Is it necessary that emotion sits at every corner of this epic? That symphonic lover will reach a musical orgasm during the closing part? That you should listen to this great album?
Four stars. It holds some superb musical moments that would deserve to be shared by more PA reviewers.

Daniel "ZowieZiggy"

INDEX are a fair and honest representative of the newest generation of Brazilian prog-rock bands; they head a long line of dozens (maybe hundreds) of progressive acts that lurk in the shadows just waiting an opportunity to be heard and enjoyed. The present panorama is indeed edifying here in Terra Brasilis and may good winds blow to reinvigorate their efforts.
INDEX surely have surpassed the puberty years and are reaching now the maturity, which can be disclosed through their 3rd album, a 2004 all-instrumental release that goes by the name of "Identidade" - very appropriate title considering they reached their identity. Truly, INDEX sound is very characteristic but like all those new acts mentioned before, especially if trailing the symphonic spectrum, they set the roots in the classical bands of the 70s, this time increased by neat Brazilian influences (prog or not) and tinted with some of the most vibrant recent colors. INDEX also leave the realm of pure symphonic prog for adventuring into different fields, like jazz or folk or erudite, making their work to lean toward the eclectic proposition.
This album, "Identidade", is plain and direct, songs keep a certain resemblance making this release homogeneous and consequently amusing, even not being unforgettable. Band members are really skilled cats and one may hear fascinating, almost glorious flute and synth tunes, joined by noticeable guitar, bass, drums and piano chords. The two suites: 'Angelus' and 'Corações do mundo' that dominate the album's core are the highest peaks here, while the two opening tracks, 'Volcano' and 'Maximus' are simply enjoyable and agreeable. Unfortunately, the last track, 'Index II', lacks certain cohesion, losing its sense due to the excessive use of commonplaces and clichés that spoil the song and ¼ of the album - anyway, skipping this part, the listener is surely supplied with a work fairly above the average.
A good work, nice to be heard, very audible, but still non-essential. I'm quite sure that INDEX will gift us soon with a memorable production - they have sharpened their blades with the first 3 albums (including this one) that the obvious reward will be achieved.

Atkingani

Having a Brazilian wife and being a progressive rock lover to the bone I just had to try some Brazilian prog-rock bands. Not knowing where to start I just began surfing the web and ended up at www.rockprogressivo.com.br and www.rocksymphony.com.br
After reading some reviews on those sites and of course on www.progarchives.com I decided to kick of with Aether (also known as the Brazilian Camel) and Index. Wow! What a way to start! I liked Aether better at the beginning probably because it sounded more familiar, (I almost have all Camel albums) but later on my preference switched to Index! Progressive rock is probably one of the smaller musical genres represented in Brazil, but the Brazilian progressive bands are musically just as great as any North American or British prog-rock band, so lets get out there and give some of those great Brazilian musicians a chance!
Index first self titled album was merely an instrumental piece. Their second album, Liber Secundus, contains vocals as well. Probably the vocals could be better, but the Portuguese language sounds magnificent and perfectly matches the music. On "Identidade", Index' third album they would return to their instrumental basis again which I personally find somewhat a petty. Even though the vocals could be better Liber Secundus is my favorite Index album, but "Identidade" is still pretty good. A bit more "jazzy" and a bit less "symphonic" though.
If you are not familiar with any Brazilian progressive music yet AETHER, INDEX, TARKUS, SOLIS and TEMPUS FUGIT are probably the best bands to start with!

Martijn Martens